Be Willing to Drop the F Bomb

When I was a senior in high school applying to college, I remember one university had as its essay question, "What was your biggest failure and what did you learn from it?". I remember considering not applying to that school because I couldn't think of a failure to write about.

At the time, I was on the receiving end of a lot of attention and praise for never having failed (publicly at least). But now as an adult, I know the trap of living a life based on avoidance of failure. It's no success to have reached all the goals that have been set for you, to have checked all the boxes other people have laid out as important for you, and then to look in the mirror and not recognize yourself. Or to have your body screaming in pain or exhaustion.

Having been there and done that, I have rediscovered the vital importance of failure. Not "achieving" failure as an identity, but being willing to fail. I gave a workshop on Friday to a group of engineers, coaches, consultants, startup founders, and other change agents interested in how groups of people grow and learn. It was based entirely around sound, voice, and music improvisation - in other words, the most common fears of about ninety-nine percent of the population.

The name of the workshop was, "Play the Wrong Note: Daring Adventures in Learning, Failure, and Creativity". The title actually refers to a specific moment in my life when everything changed for me. Those four words - "Play the wrong note" - were the four most compassionate words ever spoken to me by a teacher. No one in a position of authority had ever said, "Lisa, I want to see you break the rules. And I'll help you." It turned out to be the most loving instructions I ever received, and the framework for an entire body of work.

It was about three months in to my sound healing training program. A weekend workshop dedicated to the art of improvisation. I thought I could just observe and let the others do this improvisation thing, which was clearly for "those people" but not me. So I hid behind the teacher with my violin tucked under my arm, hoping he would not see me or ask me to participate in this bluesy, jazzy jam that was happening all around me.

And, of course, at that very moment, he turned around and pointed right at me. "You! Solo!" he said.

I had no idea what to play. I wasn't into blues or jazz and had no reference point for what sounds to make. He could sense that I needed help so he said, "Play the wrong note."

My facial expression must have communicated the feeling I had, which was, "OK. But...which one?". There were an infinite number of wrong notes I could play. How would I know which one was right?

He smiled and took my finger in his hand, and moved it to a random place on the fingerboard of my violin. "Play that," he said gently.

I heard his instructions, but when I tried to play, my bow arm literally would not move. I was so hard-wired to play only the right notes - after daily practicing from age four - that my entire body would not allow me to play any wrong ones.

It was the perfect timing for me. I was ready. I had had a lifetime of good training, practice, and mastery. I was wired for success. But I had no wiring for freedom, fun, or failure. And in that moment, standing there, stranded, in the middle of a room with forty or so people making sounds, having a great time, and waiting for me to solo, I got it.

I could continue to avoid failure, or I could choose to grow into the unknown.

Later that day, in the same workshop, my violin case fell off its chair and onto the floor.

I took it as a sign and stopped avoiding the failures that were wanting to happen for me. I closed my violin school a little over a month later. I started practicing - first in the privacy of my own home, and using my voice, not my violin - making sounds that were all "wrong" to my trained ears. I started PLAYING again. Something I had not done in a long time, and maybe never on my violin.

The adventure that followed was a list of things I could never have planned for my life. I started playing only improvised music, in public, on a stage. I discovered hiking and backpacking. I went to the top of Half Dome and the bottom of the Grand Canyon. I started working at REI - the retail job I was never allowed to have as a teenager because I could earn more money teaching violin or staying home to practice. I won a gig as a gear tester and reporter for Backpacker Magazine, including a free trip to the Outdoor Retailer show in Salt Lake City. I discovered Thai massage and Breema bodywork, which led to traveling to three countries I would never have dreamed of visiting before - Bali, Thailand and Laos. And through my practice of these forms of bodywork, I traded massages for studio days with a couple of artist friends. And I discovered that I could play with paint. Which led to a daily art-making habit. Which has (so far, in the year or so that I've been doing it) led to a juried show, a new blog, and a whole lotta new art supplies in my house.

I could not have written these down on a bucket list because I would never have let my imagination run that wild. Until I was willing to Play The Wrong Note.

And not just once, in a workshop. It was about making a decision to bring the learning from that moment back to my daily life. To find ways to practice that willingness every time the opportunity came up.

It started with music. Being willing to play the wrong note in my personal comfort zone. And then it expanded. Not with planning but as a natural consequence of becoming familiar with the willingness to be "wrong".

So this is my soapbox.

Risk taking is necessary. Being open and willing to fail is necessary. Not knowing is necessary. And these skills are not taught in school. They are not the skills that get you straight A's. They are not the skills that make you look "smart". They are not the skills that earn you the proud distinction of being a Good Daughter (or Wife or Mother). They are not the skills that you use to fill out a college or medical school application. They are often not the stuff of polite cocktail party conversation.

They are the skills of the maverick. The rebel. The free thinker. The one who creates.

So no matter how long ago it was that you experienced your last failure - whether it was just this morning or decades ago or not at all - it is never too late to dive right in. Start practicing the F word.

Take it from a straight A student. Me.

Curious about my "Play The Wrong Note" workshop? Read this blog post or listen to the Creative Conversation we had yesterday about it.

And if you're ready to start practicing Fun, Freedom, and Failure with writing as improvisation, check out my brand new coaching program here.

Wishing You The Fun and Freedom of Being Willing to Fail,

Lisa

Being Open to Outcomes

I packed water, an apple, and an orange, but no extra layers of clothing. This was Christmas Day. A leisure ride, nothing that was going to kill me. I knew the hill on Higgins Canyon Road from having come down it once by car. Winding and barely wide enough for one car and a bike to pass. Spectacular views of Sky Moon Ranch, the sheep and cattle grazing next to large water reservoirs on steep hillsides.

The route we had chosen would not, we decided in advance, include riding up that part of the road. We would turn off and make a loop back to town, way before that steep ascent. After all, this was Christmas Day. No need to kill ourselves.

The turnoff was, according to the map, just after Burleigh Murray Ranch and off to the right. All we passed were private roads with mailboxes and No Trespassing signs on the right. We kept riding because it was a gorgeous day and it was fun.

Next thing I knew, we were headed up the hill.

I was winded, already climbing, when I began to get the words out about checking the GPS. By the time we found a safe area to pull off the road, we had already climbed several hundred feet. I was already in one of the lower gears. The winding road was laid out in front of us, one short section at a time, only revealing the very next turn, not telling us whether this was the last, or second to last, or how many there would be ahead. No tacit reassurance of “one more to go”, like a personal trainer or aerobics class instructors might provide.

Only the half loop spiraling up and disappearing behind the next bend. So in the moment of riding, there is only the decision to make it around the very next bend. Or not. There is no gratification of “knowing” that if you just do one more of these, you’ll be a rock star. Only the decision, between you and your body, whether to take the bike up one more section of the spiral.

It’s the “Do what’s in front of you” part of going toward your vision. Your bike is pointed in the direction of the top of the hill. Your job, in any given moment, is to pedal up this particular section. Your job is not to “get to the top”. Getting to the top is what happens when you make the decision to see what’s around the next bend, over and over again, and then you look up from what you're doing to discover that you’re at the top.

I remember exactly that moment from this Christmas Day ride, actually. I had just powered up about three sections without rest, after a man twice my age wearing blue jeans had passed us. He was sincere and kind when he said, “Merry Christmas! You guys are doin’ ter-RIF-fic!” I thought to myself, “Not as terrific as YOU are!” and kept pedaling because I couldn’t talk. I bore down a little harder, figuring I wasn’t going to rest my way to being in that kind of shape when I am his age (I guessed 80).

But by the end of the third spiral, I had it in my head that this was it. My limit. If the next climb didn’t bring us to the top, I would turn around. It was Christmas. Why was I killing myself?

I stopped and, panting, leaned on the handle bars of my bike, sucking down water from my CamelBak straw between breaths.

“Is this it?” my riding partner Randy asked.

I couldn’t talk just then. I was feeling the simultaneous sensation that my body was being pushed to a limit, and the sense that I wanted to feel more of this. There was a kind of curiosity and delight about seeing what a little bit more right now would feel like. Even though it was pretty uncomfortable.

So I said, “Go!”, motioning for him to start climbing the next portion. To see what was around the next bend.

I didn’t wait for my heartrate to slow down more or my breathing to recover to normal pace. I started climbing, choosing to go deeper into the “zone beyond comfort” and see where it took me. I didn’t care about the top, I just wanted to keep going and feeling this sensation.

The rhythm of my pedal strokes was slow and steady. My lungs were getting accustomed to the slight burning that accompanied each breath. It took focus ot keep the handlebars in line with the edge of the pavement as I climbed like this. I looked only directly ahead of me. Not toward the top.

And around the next bend, we saw the 80-year-old man come coasting toward us, having reached the top and turned around already. I had no focus left to smile, comment, or register this fact but had to keep pedaling. The last piece of road was a bit of straightaway and the top was marked by an old gate at the base of a eucalyptus tree, with an expanse of downward rolling hills stretched out beyond it.

We were there. The top. It wasn’t something we set out to do. In fact, I had strictly planned otherwise. It was something that happened as a result of deciding, one stretch of road at a time, to keep climbing and see what’s around the next bend.

Photo by Nancy Yu, http://yurides.wordpress.com

Why everyone should poop in the woods...at least once

I firmly believe everyone should have the experience - at least once in their life - of pooping in the wilderness. Of digging a hole at least six inches deep, dropping trou, and watching their own poop land in the hole. Then filling it with soil, packing it down, and returning the surrounding earth to its original state.

I believe this not just because pooping in holes has become second nature since I started backpacking, but because I experienced real compost in my friend Lydia's yard yesterday. From start to mulch. When you see one too many potted plants or cut flower arrangements in your life, you forget where it all really comes from. Not just the postcard pictures of a farm with a guy in overalls posed casually leaning on a fence that you see from the side of the road. Not the beautiful bins of colorful, washed produce (definitely not GMO and definitely organic) at the farmers' market.

No, I'm talking about what dirt really is. How our bodies - the stuff of our skin and bones - are ultimately the same stuff as dirt. How the plants growing prettily or wildly in the ground are also the same stuff as dirt. How if you have the chance to take a shovel and pull up some plants, move them to the compost heap, then come back a few months later, you might see something that looks nothing like the original plant but a lot like dirt.

We make dirt wrong. We use it to describe the things we don't want on us ("Don't touch that! It's DIRTY!"), don't want to hear ("Don't say that DIRTY word!"), and what we work hard to get rid of ("Wash your hands...they're DIRTY!").

But DIRT is US.

Would you touch compost with your bare hands?

It was a moment of revelation - of Oneness, if you will - when my friend Lydia lifted the tarp covering the fresh heap of compost made of kitchen scraps. It was hard for me to watch all the creepy crawly worms and bugs making their way through coffee grounds, pumpkin skins, paper scraps, egg shells, and leaves.

I didn't want to have to see it. I'll admit that.

But there they were, making DIRT...the vital ingredient that fuels all life, the stuff that IS life in its final form and the source of all living things. The end...and the beginning...simultaneously.

It had been so long since I'd seen, smelled, and participated in decomposition that it woke me up. But of course that isn't exactly true. I'm surrounded by life - and DIRT - at all times, I just ignore the "dirty" parts and focus on enjoying the flowers and the fruits. I let other people handle the dirt - "do the dirty work". Or I separate myself from the "dark" or "dirty" aspects of me. I try to edit them out of my experience, as if it's better that way.

worms

As I stood there, staring at the bustling city of worms crawling in and out, up and down, through the muck, I remembered. I remembered all the ways I have tried to push away the "dirty" parts of my past, to make everything look clean all the time, to live as if the flowers - the things of Beauty I've decided I want to see - don't have deep roots that crawl through that same rich soil, black and moist with powerful fuel for life. I remembered how I've distanced myself from the earth, whenever I insisted on standing tall, head held high, looking towards the horizon of some greater dream, trying to deny the "dirt" that supported me under my feet at all times.

Staring at the pile of compost as it became compost, I witnessed an aspect of Oneness we aren't often presented. If it's true that everything is energy, that every single phenomenon is in the same field of infinite potential, then it surely applies to compost too.

It also applies to pooping in the woods.

Which is why, if you ever have the chance, you should do it. But please don't leave toilet paper in the backcountry. I'm begging you.

Or go look at a pile of compost. Study and observe how life feeds on life.

And be with everything that comes up for you - all the feelings of aversion, disgust, and wanting to turn away to experience "something better" than this.

How is the stuff you consider "dirt" in your life actually the compost pile, rich with nutrients and material for your growth and thriving?

How would you feel differently about your "poopy" circumstances if you saw them simply as compost in the making, as both the byproduct of your process and the source of all that is to come?

By all means, train your eyes to see the flowers, and use your taste to savor the sweet fruits of life. But also remember, they - and we - all need the dirt to grow.

E-Squared Book Club: Week 3 - Laser Focused Intention

How was Experiment #4 for you?This week's meeting was all about finding the intention that aligns the most with true desire, and then filling every cell of our body with that desire. But not in the way you might normally think of desire, as "I want".

This kind of desire is the experience of living as if your intention has already come true.

So if you "want" a new car, picture yourself in vivid detail enjoying every inch of that new car. Feel the leather seats, play with the sleek console, experience the punch of the gas pedal, see your hair whipping in the wind if it's a convertible.

Now feel the sensation in every cell of your body as you imagine this scene.

THAT is the feeling of having a laser-focused intention.

If you're at all like me, when you finally get clear enough to name something you really want, your mind starts to think and plan about how it's going to get it done, make it happen, arrange all the pieces of the puzzle to bring it to fruition.

Sometimes this works, but often it can feel so overwhelming or impossible that you just give up (at least on a subtle level) on your original desire, figuring it's too hard or can't happen.

The essence of this experiment is to see what happens when you let go of all the thoughts that oppose the one clear intention you set. And just bathe yourself in that feeling of laser-focused intention. You don't entertain any of the doubt, or thoughts about how it's going to happen. You just picture it already happening, and then you live your life as if it's happening.

For me personally, it was challenging to focus on one single intention for the duration of the experiment. I found my mind scattered by many "things to do". But during the period of the experiment, I began to notice many instances of gifts arriving that I didn't have to ask for, pleasant surprises and offers to get paid when I hadn't expected to. I was being shown that it's not all about what I "do" but more about how I "am".

Pam talks about prayer in this chapter, and how it's impossible not to pray, because we are constantly "praying" every single thought we have in every moment. We "are" our prayers, and we are constantly inviting in all the experiences we need to fulfill our deepest beliefs about life.

That's an interesting one to experiment with.

I hope you'll share your results from Experiment #4 in the comments. I love hearing your stories!

At Quarry Park today, Tammy and I repeated the "magic wands" from Experiment #3, with some pretty dramatic results. When she held the intention of manifesting a new door, while also thinking about how she was going to get all the logistics to line up and make it happen, the wands turned inward right away. When she held the feeling of already having the new door, enjoying its presence, seeing it in detail, the wands swung out like a pair of butterfly wings!

We walked the labyrinth and held our intentions by savoring and imagining them already happening. I noticed a big smile on my face as I pictured Tammy's new door, and my own intention of being peaceful, playful, and prosperous while sitting at my art table making Beauty to share with the world.

Wishing you many moments of this kind of joy...until next time!

P.S. Here's a link to a brief audio recording I made about Experiment #4, with some questions and journal prompts.

How is your relationship with Not Knowing?

"Not Knowing is most intimate..." - Zen saying

This is a note for you. You are such a good student, when there's a teacher standing in front of the class, and other students surrounding you, all learning to do the same things. You are a stellar worker, always taking responsibility for your job, above and beyond the call of duty. You take instructions quickly, correct your mistakes diligently, and do everything you can to get along with others. You are smart, capable, successful, but still feel there's something missing from your life, even though you can't quite name it.

So what is it? What is that missing thing?

I don't know.

But I'm willing to bet that your relationship with Not Knowing could use a little tune-up. A little checking in and refamiliarizing. You see, each of us was born in a state of perfect Not Knowing. The first several years of our lives were filled with the joy, awe, and wonder of discovering, playing, experimenting, failing, and doing it all over again every single moment. This is how we learned to walk, talk, and explore the world around us. There was tremendous accumulation during this time, but the overwhelming majority of space was occupied with Not Knowing, and being perfectly content with that.

Then we acquired language, and experience, and started going to school, where we learned to correct our mistakes diligently, take instructions quickly, and get along with others.

Those skills served us in advancing through lots more school, in getting a job, and then learning the ways of the business and professional worlds.

Somewhere along the way, all of that accumulation began to take up much more space than Not Knowing. In fact, we may not even remember the last time we did something for the first time.

So right now you may be wondering, "How does Not Knowing actually solve a problem I'm experiencing in my life?".

Consider how your life might be different if you reclaimed the fun of it. Not having a reason, but just doing it - you know, whatever that thing is that you've always wanted to do or try. Letting go of what experience tells you, and embracing the fresh innocence of the present moment.  Better yet, just existing without judgment.

If any of these sound scary or crazy, it may just be that you've been out of practice at Not Knowing.

And how do you practice Not Knowing? Well, not by fixing it or solving it. Not by hunting for an answer, or coming up with a plan.

But by consciously being there. And watching attentively while you are there.

Last night I went to my first ever hula dancing class. I had never dreamt of hula before, but I saw a performance locally that really inspired me, and then I found out there was a community class offered right in my town.

So I showed up.

There was a lot to learn. The teacher started out slowly, showing us the basic steps, then putting a few of them together into a simple first dance. Then we newbies were sent to the back of the classroom and were told to fake our way along with the more experienced dancers as they rehearsed songs they already knew.

I got to experience myself in the moment of Not Knowing, and to see how I stayed with myself. Now I am at a point where I can see this as a precious gift. But I also know that not so long ago, this was an edge I very carefully avoided, constructing my life so that I would never be in that position of Not Knowing.

How do you react when you are put in the space of Not Knowing?

Do you ask for more information?

Do you look around for someone who looks like they know what they're doing, then copy?

Do you sit out and wait until next time, when you'll definitely know more and do better?

Do you just keep moving, doing what you can, trusting that this is exactly where you should be?

Do you compare what you can do now to what others around you are doing, trying to figure out what's wrong?

All of these are possible ways to relate to Not Knowing.

And all of these responses - if we are able to observe them in ourselves - hold the possibility to bring us closer to knowing ourselves. Closer to becoming intimate with Not Knowing. And more grateful for being exactly where we are in any given moment.

So that is the gift of any brand new experience, whether you enter it by choice, opportunity, or crisis.

In one form or another, all of my work is an opportunity for you to experience yourself in relationship with Not Knowing. I hold open the space for you to experience how you are as you navigate this unfamiliar territory.

This fall, I'm offering you an expansive yet gentle way to become more intimate with your own space of Not Knowing. It's an oceanside retreat with me and a circle of 6 participants, called "Beyond Knowing: Many Paths to the Present Moment."

We will learn from the teachers in nature - the ocean, the sky, the birds, the trees, the sand. We will also learn from approaching and entering various portals to the present moment, which is always fresh and alive with Not Knowing. We will discover what arises when we clear our attachments to thoughts, align our mind-body-soul, and allow our innate expressions to find a voice. We will create a safe space together where we can touch the space of Not Knowing, with gentleness and firmness, full participation, mutual support, no judgment, no force, and no extra.

You will take home tools that you can continue to practice in your daily life, each time you come in contact with the beauty and terror of Not Knowing. You will also take home artifacts from your unique expressions created in the setting of the circle of support provided during the retreat, reminding you of your heart's truth, and your magical reserves of resilience. You will also have the experience - carried in every cell of your body - of having become more familiar, more intimate with Not Knowing.

You can learn all the details about the retreat here.

Live Your Medicine

The Native American tradition speaks of each person's Original Medicine - that set of gifts that only you can offer the world with your particular life. I've always felt there was such a finality to the phrase "Original Medicine" - like I had to define the one thing I was here to do, or it would be lost forever.

No pressure!

This feeling would ignite the achiever in me, who would scramble to come up with a name, a brand, a package, a business, something very "put-together" that would create an image of how well I knew my Life's Purpose.

I've been doing some version of that for most of my life. But recently I've begun to discover a process I find much more alive, much more healing, much more in alignment with my own sense of unconditional wholeness. I call it "Live Your Medicine." It is the practice of asking, "What time is it now, for me?". It involves listening for what holds the most fear for me in this moment. And then summoning the courage to take action toward that in one small way. Again and again, revisiting and refreshing with each present moment.

It is reminiscent of Eleanor Roosevelt's words:

"You gain strength, courage, and confidence by every experience in which you really stop to look fear in the face. You are able to say to yourself, 'I have lived through this horror. I can take the next thing that comes along.' You must do the thing you think you cannot do.”

How often do we actually avoid - quite skillfully - the things that spark fear inside us? How often do we explain away these avoidances with elaborate theories, often quite impressive in their defense of our own status quo?

"Live Your Medicine" captures my emerging discovery that the true healing experiences for me happen whenever I do something that is utterly frightening to my mind's unquestioned beliefs. "Live Your Medicine" is an invitation to search inside yourself to find your edge, and to live in a way that develops your courage, rather than reinforcing old patterns, no matter how comfortable they seem.

For example, each morning for most of my life, I would begin with a "To Do" list - my responsibilities and things to get done. There was no reason for me to get out of bed beyond that list. It served as my purpose. There was no rhythm other than the methodical ticking off of items, showing up for scheduled activities, and getting through things.

Everything in my life changed when I made one seemingly small shift: I began my days differently. Instead of hopping out of bed and beginning to run after my "responsibilities" dutifully, I stepped off my bed and sat in silence, looking out a window at the sequoia tree stretching tall in front of it. I started with five minutes. I did yoga, not when the yoga studio scheduled a class, but when I needed it - sometimes first thing in the morning - and for the length of time my body required it - sometimes only twenty minutes.

Since then, I have maintained a practice of beginning my days with rituals that ground me in my connection to breath, body, and the earth. I am currently blessed with the situation of living just fifty steps from the beach. Most mornings I make the walk out to the bluff, and down to the sand where the birds pace along the water's edge. I wake up gradually, following the pace of the sun's creeping over the fog-covered hills to reveal the glistening surface of the ocean.

I notice, though, that even this ritual can drift into feeling of an "assignment" I give myself. I can fall back into a pattern of giving myself a job - even if that "job" is to start my day more kindly. My practice can harden into a set of rules that I must follow, or else be judged as something less than acceptable to myself. Not very kind!

My mind can turn any practice into a "To Do". It's just a repetitive pattern - a habit that was practiced for many years, and reinforced without questioning.

So my medicine is to "do the thing I think I cannot do". To be attentive to what that thing is, in this moment. And then do it.

I recently learned some simple restorative yoga poses from a friend. No need for the fancy bolsters, blocks, straps, and blankets that I've used in yoga studios. I can use pillows, blankets, and whatever else I have available. The experience is like floating - like my entire body is being supported, almost suspended, without any effort from my muscles. It's like being in water, without having to move at all.

And it's a totally ridiculous way to start the day! Which is why it's my medicine. Living MY medicine, at this particular point in my life, means having the audacity to begin my day by going into a state of complete surrender and relaxation. As if there is nothing to do, nothing to conquer, nowhere to be.

This is what living my medicine looks like for me, right now:

While my body floats in the feeling of being totally supported, my mind rests. It cannot feel fear in this moment of rest. And each moment I spend here, I train in courage. I look fear in the face - the fear that whispers a "To Do" list in my ear - and I do nothing anyway.

What's YOUR medicine right now? What time is it now for YOU?

Photo credits: Top - Randy Bales. Bottom - Lydia Puhak.

Living With A Perfectionist In Your House

I am a recovering perfectionist. I’ve been practicing various antidotes to perfectionism quite consciously for about three years now. That makes me – the real me, the innocently imperfect me – about three years old. I’m walking, I’m talking, I’m eating with my plastic miniature utensils, insisting that I’m a big girl now. But the real big girl in the house – the house of my mind, my body, and my soul – is Miss Perfectionist. She is the one who grew up inside my house, the house of me. She became the big one without my knowing it. She got all the praise, all the money, all the polite smiling conversations at cocktail parties, all the “wow”s and “ooh”s and “aah”s, all the framed diplomas and plaques on the wall. She was surrounded by people she kept at an arm’s length distance, so they wouldn’t touch anything close to her.

She thought she liked it that way. She thought she preferred it that way, because her attention could be focused on making her hair perfect, her face perfect, her nails perfect, her shoes perfect, her outfits perfect, anything that would attract the attention of perfection praisers, which seemed to be everywhere.

Miss Perfectionist was so busy doing the things she defined as perfection – which always involved something other than the way things were – that she ignored the real me, who by the way, happened to own the house the whole time.

As I write this, I’m fresh from peeling away another layer of awareness of how Miss Perfectionist still lurks, like a creepy roommate, in the house of me. I’m also more aware of the real me, that three-year-old who has just gotten her legs, who has registered  the definite feeling of walking, moving one foot in front of another, exploring this amazing thing called existence.

And I’m not willing to ignore that three-year-old, at this magical time of her life. I’m not willing to yell at her, throw her out on the porch in her nightgown, telling her she is wrong and worthless as she is. I’m not willing to have her mentored by Miss Perfectionist.

You see, Miss Perfectionist is not very supportive in moments that require vulnerability, moments that require the raw courage to step into unknown, unfelt territory. Miss Perfectionist, in fact, hates those kinds of moments. Miss Perfectionist much prefers the mind’s activity of projecting into the future, comparing the present moment to the imagined future, and listing how it doesn’t measure up: "It’s not good enough, it’s not important enough, it’s not professional enough". The list is usually much longer than three items. The list of “not”s can take over an entire conversation, an entire house, an entire life.

I see today that Miss Perfectionist is simply afraid. She is frozen with fear that someone might actually see the whole house she lives in. That there are little tiny children in there, still crawling around, learning to walk, falling down all the time in the process. That would be so humiliating to Miss Perfectionist! And she doesn’t believe she can survive that humiliation.

I see her – I see me. I see the real me beginning to live life, in the tender state of being three, being open to all possibilities and ripe with the potential of one whole life, surrendered to the present moment.

I see me, and I choose to be gentle with me. I choose to take the small steps of a three-year-old, knowing with total confidence that these steps are the only ones I – the real me - can take right now. And it’s enough.

Miss Perfectionist can have her own room in this house, but she does not own it. We are living here together, and there is space for both of us to exist in harmony. For now.

Photo credit: http://doubtfulnews.com/2012/10/buying-a-haunted-house-there-may-be-logical-reasons-why-thats-not-a-good-idea/