How is your relationship with Not Knowing?

"Not Knowing is most intimate..." - Zen saying

This is a note for you. You are such a good student, when there's a teacher standing in front of the class, and other students surrounding you, all learning to do the same things. You are a stellar worker, always taking responsibility for your job, above and beyond the call of duty. You take instructions quickly, correct your mistakes diligently, and do everything you can to get along with others. You are smart, capable, successful, but still feel there's something missing from your life, even though you can't quite name it.

So what is it? What is that missing thing?

I don't know.

But I'm willing to bet that your relationship with Not Knowing could use a little tune-up. A little checking in and refamiliarizing. You see, each of us was born in a state of perfect Not Knowing. The first several years of our lives were filled with the joy, awe, and wonder of discovering, playing, experimenting, failing, and doing it all over again every single moment. This is how we learned to walk, talk, and explore the world around us. There was tremendous accumulation during this time, but the overwhelming majority of space was occupied with Not Knowing, and being perfectly content with that.

Then we acquired language, and experience, and started going to school, where we learned to correct our mistakes diligently, take instructions quickly, and get along with others.

Those skills served us in advancing through lots more school, in getting a job, and then learning the ways of the business and professional worlds.

Somewhere along the way, all of that accumulation began to take up much more space than Not Knowing. In fact, we may not even remember the last time we did something for the first time.

So right now you may be wondering, "How does Not Knowing actually solve a problem I'm experiencing in my life?".

Consider how your life might be different if you reclaimed the fun of it. Not having a reason, but just doing it - you know, whatever that thing is that you've always wanted to do or try. Letting go of what experience tells you, and embracing the fresh innocence of the present moment.  Better yet, just existing without judgment.

If any of these sound scary or crazy, it may just be that you've been out of practice at Not Knowing.

And how do you practice Not Knowing? Well, not by fixing it or solving it. Not by hunting for an answer, or coming up with a plan.

But by consciously being there. And watching attentively while you are there.

Last night I went to my first ever hula dancing class. I had never dreamt of hula before, but I saw a performance locally that really inspired me, and then I found out there was a community class offered right in my town.

So I showed up.

There was a lot to learn. The teacher started out slowly, showing us the basic steps, then putting a few of them together into a simple first dance. Then we newbies were sent to the back of the classroom and were told to fake our way along with the more experienced dancers as they rehearsed songs they already knew.

I got to experience myself in the moment of Not Knowing, and to see how I stayed with myself. Now I am at a point where I can see this as a precious gift. But I also know that not so long ago, this was an edge I very carefully avoided, constructing my life so that I would never be in that position of Not Knowing.

How do you react when you are put in the space of Not Knowing?

Do you ask for more information?

Do you look around for someone who looks like they know what they're doing, then copy?

Do you sit out and wait until next time, when you'll definitely know more and do better?

Do you just keep moving, doing what you can, trusting that this is exactly where you should be?

Do you compare what you can do now to what others around you are doing, trying to figure out what's wrong?

All of these are possible ways to relate to Not Knowing.

And all of these responses - if we are able to observe them in ourselves - hold the possibility to bring us closer to knowing ourselves. Closer to becoming intimate with Not Knowing. And more grateful for being exactly where we are in any given moment.

So that is the gift of any brand new experience, whether you enter it by choice, opportunity, or crisis.

In one form or another, all of my work is an opportunity for you to experience yourself in relationship with Not Knowing. I hold open the space for you to experience how you are as you navigate this unfamiliar territory.

This fall, I'm offering you an expansive yet gentle way to become more intimate with your own space of Not Knowing. It's an oceanside retreat with me and a circle of 6 participants, called "Beyond Knowing: Many Paths to the Present Moment."

We will learn from the teachers in nature - the ocean, the sky, the birds, the trees, the sand. We will also learn from approaching and entering various portals to the present moment, which is always fresh and alive with Not Knowing. We will discover what arises when we clear our attachments to thoughts, align our mind-body-soul, and allow our innate expressions to find a voice. We will create a safe space together where we can touch the space of Not Knowing, with gentleness and firmness, full participation, mutual support, no judgment, no force, and no extra.

You will take home tools that you can continue to practice in your daily life, each time you come in contact with the beauty and terror of Not Knowing. You will also take home artifacts from your unique expressions created in the setting of the circle of support provided during the retreat, reminding you of your heart's truth, and your magical reserves of resilience. You will also have the experience - carried in every cell of your body - of having become more familiar, more intimate with Not Knowing.

You can learn all the details about the retreat here.

Live Your Medicine

The Native American tradition speaks of each person's Original Medicine - that set of gifts that only you can offer the world with your particular life. I've always felt there was such a finality to the phrase "Original Medicine" - like I had to define the one thing I was here to do, or it would be lost forever.

No pressure!

This feeling would ignite the achiever in me, who would scramble to come up with a name, a brand, a package, a business, something very "put-together" that would create an image of how well I knew my Life's Purpose.

I've been doing some version of that for most of my life. But recently I've begun to discover a process I find much more alive, much more healing, much more in alignment with my own sense of unconditional wholeness. I call it "Live Your Medicine." It is the practice of asking, "What time is it now, for me?". It involves listening for what holds the most fear for me in this moment. And then summoning the courage to take action toward that in one small way. Again and again, revisiting and refreshing with each present moment.

It is reminiscent of Eleanor Roosevelt's words:

"You gain strength, courage, and confidence by every experience in which you really stop to look fear in the face. You are able to say to yourself, 'I have lived through this horror. I can take the next thing that comes along.' You must do the thing you think you cannot do.”

How often do we actually avoid - quite skillfully - the things that spark fear inside us? How often do we explain away these avoidances with elaborate theories, often quite impressive in their defense of our own status quo?

"Live Your Medicine" captures my emerging discovery that the true healing experiences for me happen whenever I do something that is utterly frightening to my mind's unquestioned beliefs. "Live Your Medicine" is an invitation to search inside yourself to find your edge, and to live in a way that develops your courage, rather than reinforcing old patterns, no matter how comfortable they seem.

For example, each morning for most of my life, I would begin with a "To Do" list - my responsibilities and things to get done. There was no reason for me to get out of bed beyond that list. It served as my purpose. There was no rhythm other than the methodical ticking off of items, showing up for scheduled activities, and getting through things.

Everything in my life changed when I made one seemingly small shift: I began my days differently. Instead of hopping out of bed and beginning to run after my "responsibilities" dutifully, I stepped off my bed and sat in silence, looking out a window at the sequoia tree stretching tall in front of it. I started with five minutes. I did yoga, not when the yoga studio scheduled a class, but when I needed it - sometimes first thing in the morning - and for the length of time my body required it - sometimes only twenty minutes.

Since then, I have maintained a practice of beginning my days with rituals that ground me in my connection to breath, body, and the earth. I am currently blessed with the situation of living just fifty steps from the beach. Most mornings I make the walk out to the bluff, and down to the sand where the birds pace along the water's edge. I wake up gradually, following the pace of the sun's creeping over the fog-covered hills to reveal the glistening surface of the ocean.

I notice, though, that even this ritual can drift into feeling of an "assignment" I give myself. I can fall back into a pattern of giving myself a job - even if that "job" is to start my day more kindly. My practice can harden into a set of rules that I must follow, or else be judged as something less than acceptable to myself. Not very kind!

My mind can turn any practice into a "To Do". It's just a repetitive pattern - a habit that was practiced for many years, and reinforced without questioning.

So my medicine is to "do the thing I think I cannot do". To be attentive to what that thing is, in this moment. And then do it.

I recently learned some simple restorative yoga poses from a friend. No need for the fancy bolsters, blocks, straps, and blankets that I've used in yoga studios. I can use pillows, blankets, and whatever else I have available. The experience is like floating - like my entire body is being supported, almost suspended, without any effort from my muscles. It's like being in water, without having to move at all.

And it's a totally ridiculous way to start the day! Which is why it's my medicine. Living MY medicine, at this particular point in my life, means having the audacity to begin my day by going into a state of complete surrender and relaxation. As if there is nothing to do, nothing to conquer, nowhere to be.

This is what living my medicine looks like for me, right now:

While my body floats in the feeling of being totally supported, my mind rests. It cannot feel fear in this moment of rest. And each moment I spend here, I train in courage. I look fear in the face - the fear that whispers a "To Do" list in my ear - and I do nothing anyway.

What's YOUR medicine right now? What time is it now for YOU?

Photo credits: Top - Randy Bales. Bottom - Lydia Puhak.

On the other side of beautiful

THIS was not a photo on my vision board. I was perfectly content to be performing, showing what I was able to do comfortably, easily, and predictably. I thought I was getting "good" at playing freely, improvising, and creating in the moment. The sound of Chinese Melodrama that matches the stacks of CDs we bring to every gig.

Then THIS had to happen.

By "THIS" I mean: We are at LunarBurn, a three-day outdoor festival and experiment in community living. In my mind, it's a chance to show up and spread the love. We play our first set at the PermaPub, an intimate venue with couches, a bar, and all the impromptu live music one could ask for. We aren’t even finished with a song (Led Zeppelin’s “Over the Hills and Far Away”) near the end of our set, and a guy appears onstage. He has furry white chaps over his jeans, and a grey hoody. He appears to be maybe under the influence of some substances. But what do I even know about these things? I just thought he was a jerk for interrupting our set.

Here’s my, “Get off the stage, jerk!” look:

Yep, what you're seeing is a whole lotta judgment flowing freely from me in that moment. First he wanted to play my violin. I’d rehearsed this response before, so it was easy to say, “Sorry, I don’t let anyone touch my violin.”

He wasn’t looking like he was going to leave the stage, and this being an open, community-driven atmosphere, I said, “You can play yours, and I’ll play mine.”

Then he wanted me to help him tune the thing.

Seriously??? Suddenly I was flung back to my violin school, “Doctor Chu” days, tuning other people’s violins. Spooky.

My partner Randy was way too far away on the other end of the stage, separated from me by a drumset. I was alone to deal with this. But when it was clear that The Guy – Adam, I would later learn, was his name - was there to stay and play, Randy pulled out the right song – like he always does -- and that was all it took.

Adam started to play. All kinds of sounds were flying out of his instrument, no holds barred. Absolutely no judgment.

I’d never heard such sounds before, let alone play with them, try to create with them. But there I was, on a stage, with captive audience, and microphones on. I started to play too. The interplay of sound and listening began to work its magic. Then moments emerged from the chaos that felt like oneness.

Really? With THIS jerk? Yes.

I was listening to all the sounds, noticing, admiring, perhaps sometimes even envying, the beauty that can arise from NOT CARING AT ALL, in other words, no judgment.

You must understand how deeply ingrained it is for me to take GREAT CARE of every sound from my violin. I’ll never forget sitting in a huge auditorium in Chicago watching one of the “big kids” – a high-schooler at the time – in my violin school, receiving a master class with Russian violinist Viktoria Mullova. I was about 10 years old.

“You don’t CARE!”, she said, in a thoroughly Russian, loving way. It was the kind of icy cold Russian love so commonly doled out in violin training. Meanwhile my classmate’s lips trembled, tears beginning to well up behind her eyes. Tears that represented a lifetime, from the age of three, trying so hard to prove that she cared. She was one of the stars, one of the protected ones in the group. No one had ever spoken to her like that. At least not in public. On a stage. In front of other people.

I vowed never to play like I didn’t care, if only to avoid the stinging feeling I felt that day.

So to stand on my stage with this guy – Adam – who had the audacity to walk in on us and just PLAY like he doesn’t CARE was a big moment. A moment either to shut down or to wake up and say yes to life. Shutting down occurred to me for a few moments. Remember this face?

Yeah, I was ready to shut it down. But then I remembered that I could just relax into my own place that doesn’t care so much. The place that knows I can play anything with anyone and I will be OK. The place of trust and surrender.

Because when you don’t care, you really are trusting in something greater than personalities and performances. Somewhere along the way, in our journey of recording and performing and trying to “build” something with Chinese Melodrama, I got caught up (again) in making things beautiful and perfect and acceptable and nice. I got caught up in my idea of what “good” sounds like. What I had to measure up to (in my own mind) in order to be worthy of appreciation, applause, presence, whatever. My idea of what I needed to be in order to be liked and accepted.

What I experienced by not caring so much was another layer of freedom peeled away and revealed to me. The discovery of something workable – beautiful – within the basket of sounds I’d call “dirty”. The sounds I don’t choose automatically because of the depth of my conditioning to play only beautifully. The discovery that he will never sound like me, and I will never sound like him, so there is nothing to fear. We can meet in the oneness of our combined sounds and play. Dance. Listen. See what happens.

“Beyond our ideas of right-doing and wrong-doing there is a field. I’ll  meet you there. When the soul lies down in that grass, the world is too full to talk about.” – Rumi

The next day, I returned to the stage with Randy. No Adam this time. Yet I still had the taste of the experience in my body, my ears, my whole being. I carried the permission of those “dirty” notes with me. They gave me wings to be less careful, more adventurous, more willing to be curious without worrying I would hurt or disappoint anyone. I had fun. I moved more. I felt my own joy. I invited it in. I was inspired by "no judgment".

I noticed that as I became more playful, my entire body began to participate. My feet were not firmly planted on the floor with my legs stable. My knees began to bend. My spine began to twist and turn. My feet were walking (sometimes stomping). My head was leaning. The feelings of the music flowed through my entire being, when my mind was no longer involved in saying, “Now what can I play that will be really beautiful?”.

When the music becomes a dance, when I am truly playing, then it’s not about what the notes are, but what is going on inside me as I am playing them. Even if I play every single note “beautifully”, correctly, in tune, like I was taught, it may not connect with a feeling. Because I may actually be trying very hard to create this state of “beautiful” and “correct”. Within me, I am not playful. I am controlling myself. When I am controlling myself, I radiate the energy of control.

When I lose control, anything can happen. Scary, yes. But on the other side of scary, there is beauty. Not “beautiful”, but beauty. The beauty of anything and everything. The beauty of what is.

P.S. Thank you so much to Adam, Matty, and everyone at LunarBurn who played and listened!

Solving the Puzzle of the Universe

A few days ago I solved the puzzle of the universe. It came in a box. There were 500 pieces and a neat image of the final product - what the solution was supposed to look like.

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I had a partner while I was doing it. We didn't discuss how we were going to tackle the problem, we just started working on it, each in our own way. There were no words. Things just began when they began, and ended when they ended.

I noticed that I wanted to follow some instructions that were somewhere in the back of my head about "how to" solve a puzzle like this.

"Start with the edges and corners," was one set of instructions.

"Find the colored pieces first," was another.

I tried both of those, but the puzzle was just so big, so complicated, with so many parts, that I quickly got frustrated with each of those approaches. I made a tiny bit of progress, but immediately got stuck following those two paths.

So I just looked at the pile of pieces, sifted them around a little so I could feel them. I began to notice certain things stood out to me - a pattern of white squares. Letters and words. Colored lines and arrows.

Then I turned to look at the final image. I started to notice that the pattern of white squares was specific. The numbers in the squares corresponded to exact positions on the circle that defined the boundary of the universe. Above those squares were the months of the year, spelled out in large, colored letters.

I would start by finding each of the twelve months of the year. As I proceeded this way, I experienced the excitement of completing one word at a time.

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“Aha!” I would exclaim as I saw the letters of "OCTOBER" come together from three different puzzle pieces. I wasn't paying attention to the shapes of the pieces, only the emergence of the word itself.

I attacked the puzzle in this way, building one identifiable word at a time, choosing not to worry about how these twelve words would form a complete circle, or how the center of the circle - which was a detailed map of the constellations - would come together.

I just focused on those words, one "Aha!" at a time.

After about six of these, I looked up to notice my partner working on the puzzle silently, without disturbing me at all, in his own way. I noticed that he wasn't looking up nearly as much as I was. I noticed that he had lined up the pieces in front of him, and was looking more at the pieces themselves than referring to the picture of the final product we were supposed to be building.

I didn't want to take my mind off my own puzzle solving, and what he was doing was not interfering with what I was doing, so I just kept going.

I built the ring first - the pattern of white squares and numbers, representing the calendar days, and the twelve months of the year distributed evenly around the circle.

The rest of the pattern of constellations and their names were still too overwhelming for me to tackle, so I just kept working on the ring, matching what I was creating with what was printed on the box, noticing one tiny detail at a time adjacent to the ring I had put together.

By the time I had about three quarters of the ring assembled, I looked up, to find that my partner had constructed all four corners of the puzzle, which were mostly solid black, with no words at all. He had done this by looking at the shapes of the pieces, and fitting them together based on matching their edges. This was a completely different approach than mine, as I didn't even notice the actual shape of each puzzle piece - I only saw the images formed after they fit together.

A New Model of Team Work

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Miraculously, these two completely different approaches were resulting in a beautiful "team effort" that was getting the puzzle solved! My mind would not wrap around this subject because I was so engrossed in my particular approach, but I remember feeling such relief that we were not arguing or debating about what the best way to solve the puzzle - "as a team" - would be.

We were not weighing the pros and cons of each approach, trying to get each to adopt the best practices of the other. That was always my biggest nightmare about working "on a team" - that I would have to work in some way that was not optimal for me, in order to accommodate someone who was slower, weaker, or less competent than me.

I never considered the possibility that we could each retain our own styles of working, and accomplish things in our own way, while also contributing to a larger group effort. How liberating!

This was easy, peaceful, fun teamwork, that required no negotiation whatsoever. There was just a huge puzzle to be solved, and each of us was sincerely interested in approaching the solution in our own way, at the same time, together. It wasn't a competition. There couldn't be one. There were two many pieces, it was too complex, and no one could have predicted how the solution would finally come together.

It was an example showing that setting each person free to work in their own best way could also be in the best interest of the group effort. Imagine that!

Trying to understand, explain, justify, control, or influence another person's way of working would not have been productive for either us as people or for reaching a faster solution to the puzzle.

Asking the other for help was also futile, since we were arriving at our own answers in such distinctly different ways - it was as if we were decoding the puzzle into our own particular language, which could not be translated in the moment.

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Ultimately the puzzle of the universe took about five hours of work to solve. Not bad for a day's work (with a dinner break!). We kept it out for our own mutual admiration for the next four days.

Taking the Pieces Apart

Today I decided it was time to take a picture, tell the story, and take the puzzle apart again.

I noticed that there was a tinge of that feeling of regret when we adults have to take things apart. Children - ones who are younger than school age - don't seem to see the sadness of knocking over towers of blocks, messing up a stack of cards, or taking apart a train set. They love the destruction as much as the creation, if not more. They laugh and smile as things fall apart, just as when they get built.

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Children are great teachers in the nature of impermanence and non-attachment. When is it, in the course of our "maturation" and "growing up" that we become so attached to the building, and so afraid, so avoidant, of the taking apart? Or the letting things fall apart? When does the story become a tragedy in our minds?

I tried to take the point of view of a child when I took the puzzle apart today. I tried to enjoy the process of crumbling the sheets of cardboard back into their factory-cut pieces, rubbing them between my fingers to encourage them to separate and fall. I took on the task with as much zeal as a child might swing their arm against a tall stack of legos, and watch with glee as they tumble down to the floor.

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The pile of pieces fit neatly back in the box. The pieces - all 500 of them - awaited their next chance at being put into place, reconstructed into the same picture of the universe.

I took a moment to appreciate their alternate form - as just a pile of pieces in a box.

I took a moment to notice that there is as much beauty in chaos, as much opportunity to experience joy in the "falling to pieces" as there is in the building.

We just have to be willing to see it.

Photo credit: Baby with legos by Pink Sherbet Photography, used under a Creative Commons License

All other photos by the author

Tiger Mother Amy Chua Speaks...To Me!

[singlepic id=431 w=320 h=240 float=center] One of my blog readers took the liberty of sending my video on Amy Chua's book, "Battle Hymn of the Tiger Mother", to Amy Chua herself! I never would have done this on my own, but that's why I put my stuff out there for others to read!

Here's Amy's email which was sent to that reader, Denise.

Date: Wed, 2 Mar 2011 08:36:51 -0500 From: Amy Chua Subject: Re: FW: The Music Within Us

Dear Denise:  Thank you SO MUCH for sending this to me -- and yep, Lisa totally got my book and yep, she is totally right that no one else has!!  (Only correction is that I never choose or even saw and never would have approved the awful WSJ headline..)

I think Lisa is BRILLIANT, and I love what she says and the passages and moments she singles out.  She even gets it about my dogs!!!

I am setting up a website for my book, partly because to try to correct misunderstandings, and I will post this video.  Please feel free to share all this with Lisa!

Best, Amy

I am not posting this so that you can read something written by a published author calling me "BRILLIANT". Although that's nice and all, the reason I am posting this is to encourage you to GET INFORMED before you form judgments and opinions and join in the fun of media-generated controversies. Form your own thoughts and opinions, reflect on your own life, and learn your own lessons. Do not stop at what the journalists and media or others are telling you. Do not believe what others say until you have questioned it with your own body, mind, and heart. Know that you are always free to create your own story.

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News or Entertainment?

The "awful" Wall Street Journal headline Amy's referring to, which drew so much attention to the book, was a double-edged sword. On the one hand, it generated huge amounts of controversy, and therefore discussion. On the other hand, it was a misleading excerpt that did not reflect what the book was actually about. After I read it, I laughed at the overwhelming number of "news" reports that interviewed Amy solely to ask the question, "So, are Chinese mothers really superior?" Anyone who has read the book would know that this is not what it's about. A more informed journalist might have said, "Amy, your book actually had nothing to do with arguing for or against the superiority of Chinese parenting. So why the misleading headline in the Wall Street Journal?"

But that would require a journalist whose incentives were actually aligned with informing people of the truth.

It reminds me of something I learned a few days ago on a call with a news producer for one of the morning shows on a national television network (hint: not "yesterday", and not "tomorrow"). She was teaching a group of life coaches how to pitch a news story and try to get more exposure for ourselves and our businesses. The summary of the call was, "Keep in mind that on television news, we are not trying to inform people, we are trying to entertain. Our objective is to produce television that will keep audiences from changing the channel so that we earn dollars from our advertisers. We want something controversial, and we want something that everyone is talking about. If you can't package your story to meet those criteria, we're not going to be interested."

I appreciated this very candid look into the mind of a "news" producer. It's not often that someone from within the corporate ranks of the entertainment industry will share information like this so openly. Maybe I expect "dirty little secrets" like this to be kept behind closed doors, so that we'll keep tuning in and watching television and generating advertising dollars to pay the bills for the national networks.

But think about what she said for a minute. Isn't she saying that everything created for television news is motivated by entertainment value, controversy, and popular opinion? And weren't we taught at some point (in those halcyon days of our youth) that news was supposed to be objective, fact-based, and devoid of personal opinion?

Our world has changed. We have collectively created an environment in which there is no respite from sources of entertainment. It takes even more self-discipline in this kind of world to think clearly, independently, and creatively. At the very least it requires a heightened awareness to realize what we are consuming, when we're told something under the guise of "news", when we're being entertained versus being informed.

Is it news, or is it entertainment? Can you tell the difference? It's up to you.

Tiger and cub photo by Keven Law, used under a Creative Commons license

Amy Chua book photo by the author

Announcing...Bad Asian Daughter!

[singlepic id=430 w=320 h=240 float=center] Last week I started a brand new blog called Bad Asian Daughter: http://badasiandaughter.com.

I came up with the idea and bought the url months ago, and even had a first attempt over at wordpress with http://badasiandaughter.wordpress.com.

This time, I knew what the message was going to be, and tumblr.com provides the best format for creating short, frequent posts in a variety of media - video, quotes, text, and my favorite, chats (sharing conversations in a screenplay-like format).

My intention is to create an inspiring, healing community for Asian American women who have tried their whole lives to be "good", done everything they were supposed to do, achieved success in the forms they were told to, and still find something missing in their lives. Together we will discover all of who we are, and unlock the keys to our own unconditional joy, peace, and freedom....B.A.D.ness and all.

The inspirational quotes are the most fun, since I love getting a daily dose of the very inspiration that has gotten me to this point in my life.

But the personal stories - the memoir writing - are the most difficult to write! I've found myself wanting to find the humorous voice, not wanting to sound TOO bad, and editing myself for various reasons.

What's interesting is that these many layers of fear are EXACTLY why this blog needs to be written, and why the voice of the "Bad Asian Daughter" - the person we are trying so hard to AVOID becoming - needs to be heard.

As long as we hide and sequester the dark corners of ourselves and label them "bad", we will never be truly free. No matter what we achieve. No matter what we own. No matter who we are with.

So Bad Asian Daughter is about embracing ALL of ourselves exactly as we are, naming exactly what we believe we're not supposed to say, not supposed to do, not supposed to want, and risking our own significance in the world by actually doing the thing we think we cannot do.

In the words of poet Mary Oliver:

"You do not have to be good.

You do not have to walk on your knees

for a hundred miles through the desert, repenting.

You only have to let the soft animal of your body

love what it loves."

B.A.D. is about the discipline of revealing to ourselves that we don't have to feel "bad" for wanting what we want, and living our own lives on our own terms. We can free ourselves from the mental prisons that have kept us small and afraid...and unleash all our goodness in the process.

Visit Bad Asian Daughter blog now>>

How To Be Exactly Where You Are

[singlepic id=418 w=320 h=240 float=] I love blog posts that start with "How To...". They are always so promising, and hold the anticipation of a wrapped present under the Christmas tree, or a package arriving on your doorstep after your recent online purchase.

"Oh I can't wait to open this! And finally SEE what's inside!"

And, just like Christmas, just like opening that package that you ordered online, there's that moment of not knowing, the moment of unveiling, the moment where your expectation rises to greet the present moment unfolding.

When it's unveiled, we deal with the match between our heart's desire - the image of what we hoped to see in that opening - and the reality right before our eyes. Is it everything you imagined? Is it "perfect" (meaning, does it match your idea of what you wanted)?

Or is it a letdown? An unfulfilled promise? A shattered dream?

Notice that whatever happens to be sitting in the box is completely neutral in this scenario. It just is.

And whether we create a Disney ending to this buildup, or whether we concoct an Elizabethan tragedy of epic proportions, is a function of our mind.

We can't stop thoughts. We can't control certain aspects of our mind's nature.

We CAN become the observer, the innocent bystander who sees it all but is often left out of the conversation.

When your mind is chattering, when you feel dissatisfied or unfulfilled, just stop and listen.

Instead of trying to solve the problem with the same mind that created it (thanks, Einstein, for telling us that this won't work!), listen to your thoughts.

Acknowledge what's asking to be heard.

Acknowledge any resistance you are putting up against that asking.

Acknowledge your desperate need to know right now.

Acknowledge your fear of sitting still and doing nothing about it.

Acknowledge your frantic chase to put an end to all the chatter right this minute.

Acknowledge whatever comes up for you.

When you've taken the time to give full acknowledgment, put it on paper, or speak it out loud. Find some way to express it, so you can experience the energy of your thoughts through your five senses. Give them an outlet. It doesn't have to be shared with anyone (but a blog sure feels cathartic sometimes).

And then notice how it feels just to give a little time to yourself and be heard.

So what about the promise of this blog post? To be exactly where you are, try including exactly the parts of yourself you'd rather deny, put away, or hide from the world. Give a little room to these voices, and you may even be pleasantly surprised.

I tried this today. I had to. I was facing a hurricane of thoughts competing for my attention inside my head, and all I wanted to do was lie down in a field of daffodils. I'm preparing for a "big" talk tomorrow at Stanford Medical School, and it's flooded my head with ideas. Deep down I know that the key to a great talk is being fully present to exactly what is going on in the room, doing all the preparation and then fully letting go in the moment. Here is a video blog with my process of getting to exactly where I am (it did feel a LOT better after giving everything a voice):

[yframe url='http://www.youtube.com/watch?v=DxMLLhq_eOs']